The Scotsman 18 March 2022

Douglas Maxwell has written a Peter Mullan dictionary. He felt he had to. Tasked with adapting Mullan’s award-winning movie Orphans for the stage, the playwright reckoned it was the only way to capture such a particular use of language. Both Maxwell and Mullan are from the west coast, but there are 55 miles of lexicographical difference between the former’s Girvan and the latter’s Glasgow Southside.

“I had to make a glossary because he writes in his own version of Scots,” says Maxwell. “It’s not the way I write dialect. It’s phonetically different. The way he uses apostrophes is different. The way he uses the letter Z. If you get a text from him, it’s written in that language. I had to write all the text in his voice because my guys aren’t quite the same as his guys.” [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).