The Guardian 2 April 2026

The standard colour scheme for hospital dramas is clinical white. You expect gleaming walls and antiseptic surfaces, institutionally bright. Mai Katsume takes the opposite tack.

In this co-production between Vanishing Point from Glasgow and Teater Katapult from Aarhus, Denmark, the designer dresses nurses, doctors and patients in black and lines them up across an ominously dark stage.

Only one is in white: Lærke Schjærff Engelbrecht stands alone as Flora, a hard-pressed nurse working an extra weekend shift because of short staffing. Even the flickering strip lights on the floor she paces are entombed in black. They seem to suck the light away from her. Simon Wilkinson’s austere lighting design adds to the atmosphere of monochrome terror. The effect, in Matthew Lenton’s high-precision production, is to turn a stressful night on the wards into something like gothic horror. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).