The Scotsman 1 April 2022

Such was the wealth of material Giles Terera came across when he started work on The Meaning of Zong, he thought he might have two plays on his hands. The first would be about the slave ship Zong which, in 1781, found itself adrift in the middle of the Atlantic. Its malnourished human cargo was getting increasingly ill. As crew and captives alike began to die, Captain Luke Collingwood gave the order to throw any unwell slaves into the ocean. In the following days, the crew condemned 132 people to drown. A further ten threw themselves overboard, a gesture Collingwood would call an “act of defiance”.

“It is an extraordinary voyage,” says Terera, winner of the 2018 Olivier Award for Best Actor in a Musical for his role as Aaron Burr in Hamilton. “From the beginning, it is fraught with craziness and mishaps. The ship is built by the Dutch, the British win it, then it sits on the west coast of Africa for six months before a Liverpool trader buys it. They get the name wrong – it was a Dutch ship called the Zorg – they cobble together a crew, some of whom are Dutch, some of whom are British. So from the beginning, the whole thing is a mess.” [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).