The Guardian 15 April 2026

There are few transitions in life more profound than becoming a parent. Out go late nights and long lie-ins. In comes responsibility. It is an experience that demands redefinition, turning you from cared-for to carer, solo player to team captain. Even as it approaches, you know it will change you.

This is the still point of the turning world that playwright Jess Brodie identifies: not the birth, but the moment before. A time to look back, reflect and reappraise as much as to speculate on the unknown path ahead.

Tenderly stroking an enormous belly, Ally has all the anxieties of the first-time mother-to-be: the uncomfortable nights, the avoidance of toxic foods, the clock-watching of maternity leave. She also has a sense of unfinished business. Still to work out her first identity, she is about to transform again – this time into somebody’s mum. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).