Through the Shortbread Tin
The Scotsman 18 March 2025 When Martin O’Connor first talked to director Lu Kemp about his latest play, he thought she was using some unfamiliar theatrical terminology. What she liked…
Death of a Salesman
The Guardian 9 March 2025 He lies to gain status. His every deal is transactional. He exaggerates for effect. He is seduced by money, deluded about his importance and clearly…
The Rainbow
The Guardian 3 April 2025 Adapting a novel is rarely straightforward and playwright Nicola Werenowska takes a particularly enterprising stab at it in her version of the DH Lawrence classic.…
A View from the Bridge
The Guardian 26 February 2025 Is it an innocent domestic moment or a portent of something more ominous? It happens early enough in Jemima Levick’s thrilling production – her debut…
Confessions of a Shinagawa Monkey
The Guardian 23 February 2025 Mizuki Ando has a distressing condition. Played by Rin Nasu, she is not a demonstrative woman, but insists on finding a cure. Referred to a…
The Merchant of Venice
The Guardian 23 January 2025 He likes a bit of a laugh, this Shylock. Played with cool authority by John Douglas Thompson in a suit that blends with the grey…
Treasure Island
The Guardian 2 December 2024 Who is the protagonist of Robert Louis Stevenson’s adventure story? The obvious answer is Jim Hawkins, the innkeeper’s son who is drawn into a high-seas…
Peter Panto and the Incredible Stinkerbell
The Guardian 27 November 2024 I seen regular productions of Peter Pan that treat the death of Tinker Bell more casually than it is handled here by writer, director and…
The Sound of Music
The Guardian 21 November 2024 Elizabeth Newman’s six-year tenure as Pitlochry’s artistic director has been characterised by a spirit of generosity and an urge to connect. As Mother Abbess says…