Macbeth (An Undoing)
The Guardian 9 February 2023 To summon up witches is to play with fire. Could the same be true about summoning up a dead playwright? That is what writer/director Zinnie…
Moonset review
The Guardian 8 February 2023 When you see the gang of teenagers who form a midnight coven in Maryam Hamidi’s punchy and poetic new play, you think of Shakespeare’s Macbeth,…
Cinderella, Dundee Rep
The Guardian 8 December 2022 You can see why Lynda Radley was wary about taking on Cinderella. How can a playwright give agency to a character who is exploited by…
Beauty and the Beast
The Guardian 5 December 2022 It is tempting to grumble about the supposed spontaneity of this ebullient mainstage panto. Kathryn Rooney’s production is so finely tuned that everything – from…
The Wonderful Wizard of Oz
The Guardian 27 November 2022 Holywood repeats itself, first as musical, second as panto. If you have never imagined Dorothy in drag, well, you have never reckoned on Johnny McKnight,…
Jack and the Beanstalk
The Guardian 27 November 2022 The temperature is rising in Middle Perth. Nobody says it in so many words but the opening salvo of songs tells you all you need…
Peter Pan and Wendy
The Guardian 25 November 2022 Captain Hook looks as if he has stepped out of the court of Louis XIV. His head is half wig, half galleon, buoyant on a…
Enough of Him
The Guardian 25 October 2022 It is the start of May Sumbwanyambe’s uneasy drama and Joseph Knight (Omar Austin) is showing John Wedderburn (Matthew Pidgeon) the book he is reading.…
Shirley Valentine
The Guardian 24 October 2022 Willy Russell’s 1986 monologue is addressed to a kitchen wall. Stuck with domestic chores and a rigid catering schedule – if it’s Thursday, it must…
The Time Machine
The Guardian 17 October 2022 Strange to report that the least interesting aspect of this adaptation of The Time Machine is the stuff written by HG Wells. In a devised…