Dracula: Mina’s Reckoning
The Guardian 8 September 2023 Liz Kettle makes a striking Dracula. Fingers spindly, hair swept back, black cloak voluminous, she possesses the ability to pop up at will on Kenneth…
The home of Scottish theatre
The Guardian 8 September 2023 Liz Kettle makes a striking Dracula. Fingers spindly, hair swept back, black cloak voluminous, she possesses the ability to pop up at will on Kenneth…
The Scotsman 22 August 2023 Morna Pearson is partial to a bit of True Blood and Buffy The Vampire Slayer. That could be why she did not hesitate when the…
The Guardian 19 May 2023 There is an air of Nick Park’s Creature Comforts about Gary McNair’s “love letter” to Billy Connolly. The performer builds his joyful one-man show from interviews with…
The Scotsman 9 May 2023 Gary McNair likes a long subtitle. The one he has come up with for his latest one-man show is A Love Letter To The Big…
The Guardian 3 May 2023 Hannah Lavery constructs her play from simple sentences. Her language is clear and direct. Each line builds on the last, with primary-school economy. At first,…
The Guardian 3 April 2023 With the long-running Pride and Prejudice* (*sort of), playwright Isobel McArthur lit upon a winning technique – one as exhilarating as it was counterintuitive. You…
The Guardian 25 October 2022 It is the start of May Sumbwanyambe’s uneasy drama and Joseph Knight (Omar Austin) is showing John Wedderburn (Matthew Pidgeon) the book he is reading.…
7 October 2022 The Scotsman It is a landmark case in Scottish legal history. In 1778, Joseph Knight persuaded the courts he should be free to leave the employment of…
The Guardian 5 October 2022 It’s a cosmopolitan place, the court of James IV of Scotland. In the earthy crucible of Jon Bausor’s set, you hear Spanish, French, Scots, Gaelic…
The Guardian 13 September 2022 When an early draft of Rona Munro’s new play did the rounds, one of the first people to read it had a quibble. They said…