The Guardian 10 July 2026

You know when you walk into a room then forget why you came in? Maureen Beattie does that at the start of this gender-swapped version of Shakespeare’s tragedy. She strides on, catches herself, half wanders back, turns on her heels and goes out another way altogether. A little later, she needs a moment to remember the name of Goneril, her daughter. In the depths of the second half, she is slumped in a wheelchair, talking with painful deliberation and we know where it all started.

Yet this Queen Lear can be sharp, too. Dividing her kingdom between Goneril (Jenny Hulse), Regan (Lindsey Campbell) and Cordelia (Ailsa Davidson), she is an articulate woman who expects respect. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).