The Guardian 20 June 2026

There is a clever conceit underlying Douglas Maxwell’s sparky romantic comedy. It imagines the possibility of a sexually charged relationship being sustained without physical contact. Played out on stage, this improbable idea hits home on two levels.

Meeting at a 21st birthday party in 1995, two students – one law, one media studies – agree to maintain the erotic anticipation of their first encounter by never touching each other. If they ever do, the relationship will be over. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).