Scotland on Sunday 24 April 2025

Whappens when a composer becomes a playwright? Take the case of Martin Green. He is the accordionist best known for his work with Lau, the nu-folk band he plays in with Kris Drever and Aidan O’Rourke.

He is also something of a multi-hyphenate. In the 2016 Edinburgh International Festival, he brought together musicians and stop-motion animators to share stories of migration in Flit. During lockdown, he released The Portal, a richly crafted podcast for which he wrote and narrated a time-spanning detective story. Later, for BBC Radio 4, he made Dancers At Dawn, which made unexpected connections between Morris dancing and rave culture.

Now, for the National Theatre of Scotland and his own Lepus Productions, he is writer and composer of Keli, a play about a tenor horn player from a fictional Central Belt mining village who heads to London for a brass band competition. According to Liberty Black, who plays the title role, one thing you get with a musician for a playwright is extraordinarily precise feedback. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).