The Guardian 12 June 2026

On the bare brick wall backing Jen McGinley’s set – half courtroom, half saloon – there is a faded poster of The Searchers, John Ford’s 1956 western. The whisky-swilling hard men who haunt the clubs and dives of The Long Drop may well see themselves as cowboys. They are double dealers and grandstanders, full of bluff and bluster; sometimes cosplay baddies, acting as tough as John Wayne; other times, they are the real thing, meting out beatings and sociopathic violence.

But this is not Monument Valley. Rather, it is the same Gorbals streets outside the theatre where, in a different time, one of Glasgow’s most notorious crimes played out. Adapted with equal parts wit and horror by Linda McLean from the true-life crime novel by Denise Mina, it is the unravelling story of a triple murder. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).