The Guardian 3 April 2026

If someone tells you this musical spin-off from the cult 1994 TV sitcom is like a pantomime, they won’t just mean the jokes. Having been written by Johnny McKnight and the series creators, Alan Cumming and Forbes Masson, it is, of course, top-loaded with gags. They tumble out in a cross-cultural collage, referencing everyone from Andrew Mountbatten-Windsor to Sheena Easton (yes, some more topical than others), in a deliriously silly festival of wisecracks. The one about asthma alone is worth the ticket price.

But the panto roots go deeper than that. It is in the direct address, the community singalong, the underwater neon-tube dance and the two-dimensional approximation of a Brigadoon hotel, complete with tartan wallpaper, exuberantly designed by Colin Richmond. There is a man-size dog and two costume changes at the curtain call. Oh, yes there is. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).