The Guardian 18 August 2022

I’m no fan of seagulls – only the other day, one of them snatched a sandwich out of my hand – but I’ve never thought of them as being quite as nasty as they appear in this reworking of the Hans Christian Andersen tale.

Played by Jo Clifford, the seagull that intrudes on Maria MacDonell’s mother duck as she tends to her “problem family” has been schooled in rightwing survivalist ideology. It squawks at her to “put sentimentality aside”, to let nature take its course and to discard the “wet, wide-eyed and very, very large” duckling that has appeared in her nest. The bird’s “every gull for themselves” philosophy is as brutal as it is selfish. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).