The Guardian 18 August 2022

Towards the end of this one-woman show, writer/performer Alice Mary Cooper wonders out loud what the moral of her story is. She offers some possibilities but does not sound wholly convinced by any of them. It is a shame she did not ask the same question at the start. Although she tells her story in a bright and engaging manner in Laila Noble’s likable production, it is never clear why she thought to tell it in the first place.

The true-life story could be about many things – among them sisterly solidarity, grassroots campaigning, radicalisation, corporate greed, government complicity, political compromise and the birth of environmentalism. All those themes are present, without ever seeming central to what Cooper has to say. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).