The Guardian 14 August 2022

For all that the characters of Trainspotting lurked on the perilous fringes, they were at least young enough for the slogan “choose life” to be an option. In Irvine Welsh’s 2002 sequel, Renton, Sickboy, Begbie and Spud return 15 years older and it is with a sense of alarm to find them still standing. Only Tommy is absent, his Aids-related death having brought a bitter realism to the original novel.

And what a rough lot they are in Davie Carswell’s adaptation directed by Felix O’Brien. Chris Gavin’s Begbie, finishing the end of a spell in Saughton for manslaughter, is now furious as well as unforgiving. Kevin Murphy’s Spud, bald and bearded, has added an edge of despair to his puppyish charm; his entrance begging for money is chillingly believable. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).