The Guardian 9 March 2025

He lies to gain status. His every deal is transactional. He exaggerates for effect. He is seduced by money, deluded about his importance and clearly going to leave his sons with a father complex.

Yet Willy Loman is no president. The ordinary guy at the centre of Arthur Miller’s 1949 classic might have fallen for a Trumpian myth about the self-made man – crushing competition, fighting for family, privileging the individual – but he is at the losing end of the equation. “The only thing you’ve got in this world is what you can sell,” his old neighbour admonishes, knowing this exhausted salesman has sold his last. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).