The Guardian 3 April 2025

Adapting a novel is rarely straightforward and playwright Nicola Werenowska takes a particularly enterprising stab at it in her version of the DH Lawrence classic. Where this multigenerational novel luxuriates in lengthy interior monologues, full of poetic meditations, sexual longing and self-questioning, Werenowska pulls the focus sharply on its three central women and their passage towards modernity.

Her prime interest is in Ursula (Rebecca Brudner), the early 20th-century girl who takes strides towards the kind of independence longed for by her mother Anna (Jessica Dennis) and impossible to imagine for her grandmother Lydia (Kate Spiro), a Polish immigrant who stepped down the social ladder to settle in rural Nottinghamshire. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).