Cinderella, Dundee Rep
The Guardian 8 December 2022 You can see why Lynda Radley was wary about taking on Cinderella. How can a playwright give agency to a character who is exploited by…
The home of Scottish theatre
The Guardian 8 December 2022 You can see why Lynda Radley was wary about taking on Cinderella. How can a playwright give agency to a character who is exploited by…
The Guardian 5 December 2022 It is tempting to grumble about the supposed spontaneity of this ebullient mainstage panto. Kathryn Rooney’s production is so finely tuned that everything – from…
The Guardian 27 November 2022 Holywood repeats itself, first as musical, second as panto. If you have never imagined Dorothy in drag, well, you have never reckoned on Johnny McKnight,…
The Guardian 27 November 2022 The temperature is rising in Middle Perth. Nobody says it in so many words but the opening salvo of songs tells you all you need…
The Guardian 25 November 2022 Captain Hook looks as if he has stepped out of the court of Louis XIV. His head is half wig, half galleon, buoyant on a…
The Guardian 25 October 2022 It is the start of May Sumbwanyambe’s uneasy drama and Joseph Knight (Omar Austin) is showing John Wedderburn (Matthew Pidgeon) the book he is reading.…
The Guardian 24 October 2022 Willy Russell’s 1986 monologue is addressed to a kitchen wall. Stuck with domestic chores and a rigid catering schedule – if it’s Thursday, it must…
The Guardian 17 October 2022 Strange to report that the least interesting aspect of this adaptation of The Time Machine is the stuff written by HG Wells. In a devised…
The Guardian 14 October 2022 What’s not to like? You’ve got Ramesh Meyyappan, the beguiling physical theatre performer who, in shows such as Off-Kilter, has displayed a winning combination of…
The Guardian 12 October 2022 Perhaps you thought Trainspotting was too coy. Maybe you thought Irvine Welsh’s novel was on the restrained side. Yes, it had scenes of drug-addled bed…