By Garry Robson. A Fittings Multimedia, Sounds of Progress and Tron review.
CHRISTINE Bruno enters in virulent pink tights, a dirty grey tutu and a wayward string of pearls. Her mop of curly hair heads in every direction. It's a look of punkish defiance, a style at once idiosyncratic and recognisably late-70s. That she is wearing callipers and being wheeled around the stage on a porter's trolley only adds to the effect.
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