Through the Shortbread Tin review
The Guardian 7 April 2025 Martin O’Connor calls it “the first Outlander effect”. He is thinking about how an image of a country catches on and, factual or otherwise, comes…
A View from the Bridge
The Guardian 26 February 2025 Is it an innocent domestic moment or a portent of something more ominous? It happens early enough in Jemima Levick’s thrilling production – her debut…
Peter Panto and the Incredible Stinkerbell
The Guardian 27 November 2024 I seen regular productions of Peter Pan that treat the death of Tinker Bell more casually than it is handled here by writer, director and…
Alan Cumming and Forbes Masson on Victor and Barry
The List 1 July 2024 Alan Cumming is sitting in his new Highlands home, a little poggled after a transatlantic flight. Boxes have still to be unpacked and the room…
Radiant Vermin review
The Guardian 30 June 2024 What moral compromises has the Christian right had to make in order to lend its support to Donald Trump, a convicted felon? It is a…
Blythe Duff on Escaped Alone
The Scotsman 15 February 2024 Had we tried to run an article before Christmas about Blythe Duff’s latest role, the former Taggart actor would have had little to say. Even…
A guide to modern panto
Published in The List 3 November 2023 If the culture wars were an actual thing rather than the delusions of some Tory sociopaths, where would pantomime be in the battle?…
Andy Arnold on Nae Expectations
The Guardian 18 October 2023 Andy Arnold is a director with staying power. Nae Expectations, which has just opened at Glasgow’s Tron theatre, is his swansong production after nearly 16…
Helen Enright on taking over Glasgow’s Pavilion Theatre
The Scotsman 8 August 2023 Helen Enright is sitting in the circle of Glasgow’s Pavilion Theatre and admiring the view. It is a splendid sight. Built by William “Bertie” Crewe…