The Guardian 8 July 2022

John Byrne is not a playwright you associate with jukebox musicals. The Slab Boys author – who, as a painter, is being celebrated in a retrospective at Glasgow’s Kelvingrove – has always had the popular touch. In his TV series Tutti Frutti and Your Cheatin’ Heart, he also made much of his love of popular song. But he has never before placed music as centrally as it is in Underwood Lane.

Andy Arnold’s full-throttle production is not billed as such, but the jukebox musical is the form it most closely resembles. It is not only that it takes its name from the Paisley street where Byrne’s teenage pal Gerry Rafferty grew up before he found fame with Baker Street and Stuck in the Middle With You. It is also that, in its breezy tale of a 60s skiffle band skirting round the fringes of the big time, it has the same lightly plotted air as many a singalong crowdpleaser. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).