The Guardian 7 August 2024

The most powerful country songs are those written from the heart. In the words of Harlan Howard, it is about “three chords and the truth”. Actor Charlene Boyd has applied the same principle to her bold and exposing one-woman play.

It is less a show about June Carter Cash than a show about making a show about the feted singer. Spiked with personal and political rage, it is a story of Boyd finding common voice with the woman who co-wrote Ring of Fire only to be eclipsed in fame by her sometime husband Johnny Cash and repeatedly sidelined by a sexist industry.

June Carter Cash: The Woman, Her Music and Me begins like a tribute act as Boyd prowls the cabaret tables with big hair, long dress and Appalachian accent. But this is a play started in lockdown when Boyd was newly divorced and feeling a mother’s guilt, and it is not long before the actor looks behind the singer’s cornball comedy act at the Grand Ole Opry to find a woman of resilience and creativity. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).