© Eoin Carey

Scotland on Sunday 5 November 2026

It is always nice to feel welcome in a theatre, but this Christmas director Joanna Bowman wants to go one step further. In her staging of Cinderella at Glasgow’s Citizens Theatre, she is inviting everyone to the ball.

“The production is thrilled that the audience has arrived,” she says. “We’re reaching a hand out to the audience and saying, ‘Thanks for being with us. Now we can begin.’”

That spirit of inclusivity, she hopes, will spill over into every aspect of the show, including the design. Sitting with her at the end of a day’s rehearsal is designer Jessica Worrall. Working with Bowman for the third time, Worrall hopes to capture the audience’s imagination with a procession of theatrical tricks. There will be trapdoors, gauzes, a bear and a cuddly dog. It is all held together with a look she describes as “rococo K-pop”.

“I haven’t done anything this lavish for a while,” says the designer, a veteran of the People Show theatre collective. “It’s a bit Adam Ant, a bit Vivienne Westwood, a bit Marie Antoinette and, at the same time, all these modern touches in it. It’s nice to be playful and over-the-top.” [READ MORE]


By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).