The Guardian 11 August 2026

Dusk has settled on Edinburgh Castle and now a laser beam is scribbling a route across its ramparts and high into the sky. The voice of actor Richard Rankin is talking solemnly about lonely soldiers answering a call, while a ferocious light rises in the gatehouse. Out of it emerge scores of drummers and pipers, their sound both melodic and awe-inspiring. They crisscross the esplanade to the stirring lament of The Skye Boat Song.

This is the Royal Edinburgh Military Tattoo, an event often overlooked amid the festival cacophony – and yet its popularity eclipses any other event in the city. Last year, it played to 230,000 and raised £1.5m for charity. Like an outsize variety show, it is a formidable spectacle: fireworks, projections, flags dragged over the audience and a soundtrack that ranges from Carmen to Star Wars.

I speak to Susan from Aberdeen who is here with her daughter for the third year in a row. They love the highland dancing. “The atmosphere is amazing,” she says, delighted to be back. From New Zealand, Francesca tells me she is staying with family in Glasgow and is here for the night. “It’s a bucket-list item,” she says. “I was going to go when it toured to Auckland in February but I was told I had to see the original one first.” [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).