The Guardian 14 May 2026

Black diamonds are what they used to dig up from the Fife coalfields. The Blue Brazil is the unlikely nickname of Cowdenbeath football club. Together, in the 1993 book by Ron Ferguson, they represent the bittersweet hopes of a downtrodden town: the coal that brought work, fatal accidents and unemployment; the team that brought moments of joy and a litany of loss. You would call it a triumph of the underdog, except this team never triumphs.

“Some things are more important than winning,” is the catchphrase of the ex-miner and diehard Cowdenbeath fan (Barrie Hunter) who haunts this warm-hearted adaptation by Gary McNair, first aired as an audio drama in 2021. More important, the playwright would argue, is a sense of community, of shared experience, of learning not to be defeated by pit closures, job losses, relegation and death. It is about “how to lose and keep going with hope”. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).