Enough of Him
The Guardian 25 October 2022 It is the start of May Sumbwanyambe’s uneasy drama and Joseph Knight (Omar Austin) is showing John Wedderburn (Matthew Pidgeon) the book he is reading.…
The home of Scottish theatre
The Guardian 25 October 2022 It is the start of May Sumbwanyambe’s uneasy drama and Joseph Knight (Omar Austin) is showing John Wedderburn (Matthew Pidgeon) the book he is reading.…
The Guardian 24 October 2022 Willy Russell’s 1986 monologue is addressed to a kitchen wall. Stuck with domestic chores and a rigid catering schedule – if it’s Thursday, it must…
The Guardian 17 October 2022 Strange to report that the least interesting aspect of this adaptation of The Time Machine is the stuff written by HG Wells. In a devised…
The Guardian 14 October 2022 What’s not to like? You’ve got Ramesh Meyyappan, the beguiling physical theatre performer who, in shows such as Off-Kilter, has displayed a winning combination of…
The Guardian 12 October 2022 Perhaps you thought Trainspotting was too coy. Maybe you thought Irvine Welsh’s novel was on the restrained side. Yes, it had scenes of drug-addled bed…
7 October 2022 The Scotsman It is a landmark case in Scottish legal history. In 1778, Joseph Knight persuaded the courts he should be free to leave the employment of…
The Guardian 5 October 2022 It’s a cosmopolitan place, the court of James IV of Scotland. In the earthy crucible of Jon Bausor’s set, you hear Spanish, French, Scots, Gaelic…
The Scotsman 4 October 2022 The first thing actor Sally Reid and director Elizabeth Newman had to decide on was the accent. Would Reid play Shirley Valentine with her native…