Pitlochry Festival Theatre - Sound of Music.

The Guardian 21 November 2024

Elizabeth Newman’s six-year tenure as Pitlochry’s artistic director has been characterised by a spirit of generosity and an urge to connect. As Mother Abbess says of Maria in The Sound of Music, Newman has a “great capacity to love”.

Which makes it all the more fitting that her parting shot before moving to Sheffield Theatres is a musical that champions civic responsibility. In our dark political times, this is a show that nourishes and redeems.

And if it is goodness you want, look no further than Kirsty Findlay. As Maria, the would-be nun, she is as straightforward as her blue-grey pinafore: direct, practical and pure. This she achieves without being prim or starchy. She radiates sweetness, yes, but she also brings fun and creativity. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).