The Guardian 11 August 2022

Fight, flight or freeze. Those are our responses to threat. We do not need to think about them. Our animal instinct kicks in long before rational thought. We simply act. Beneath the high-status jobs, the designer clothes and the fancy cars, our animal selves remain. We have become domesticated, but only at the expense of repressing our ancient urges. Our social selves, polite and forgiving, are just a sheen to help us get along.

But what if it weren’t that way? In this lucid solo show, written and performed by Isla Cowan, Maggie is a young professional, working for a consultancy firm, harbouring ambitions to claw her way to the top. Having embraced the competitive values of the corporate world, she finds herself confounded by a system more voracious than even she is prepared for. Cornered into a fury of frustration – angered by class, by privilege, by male dominance – she is no longer willing to restrain her inner she-wolf. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).