The Guardian 2 October 2025

Novelist Sarah Moss has expressed surprise at the relative lack of literature about parenthood. We are all children of someone, many of us parents too, and she finds it odd that so few representations of such a common experience exist.

In her 2011 novel Night Waking, she combines the story of Anna, an Oxford academic worn ragged by bringing up her boys, Raphael and Moth, with a historical investigation into infant mortality. It is set on a deserted Hebridean island, where her neglectful husband Giles – so lightly drawn, he is scarcely a character at all – is preoccupied by tracking the declining puffin population. The novel juxtaposes the messy business of 21st-century child-rearing with speculations on the parental attitudes of an even messier past. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).