The Guardian 22 May 2026

In less volatile times, the memory of the Arab spring would be fresh in our minds. But with the Iran war already stealing attention from Gaza (let alone Ukraine), you may forget the intensity of the revolutionary wave across north Africa and the Middle East 15 years ago.

That was when social media came into its own, building solidarity as people took to the streets in pro-democracy protests: in Tunisia where fruit seller Mohamed Bouazizi set himself on fire; in Libya where the people rose up against Col Gaddafi; and in Egypt where protests across the country and especially in Cairo’s Tahrir Square led to the ousting of President Mubarak. At the time, it felt like things were changing for the better.

Mariem Omari was there to see it, first as an observer for the UN relief and works agency, then compiling human rights reports for Médecins du Monde. An Arabic speaker from a Lebanese-Scottish family, she arrived in Jordan to keep an eye on Israel and Iraq a few months before receiving reports of unrest in Tunisia. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).