The Guardian 5 February 2024

The playwright and novelist Alan Bissett has been moonlighting as Moira Bell for the past 15 years. His alter ego is a working-class Falkirk everywoman, a hilarious mix of parochialism and honest good sense, anger management and generosity. She is in her element singing karaoke in her local or leading a party in a half-forgotten folk song. Anywhere beyond the Falkirk wheel and she is all at sea.

What strikes you about Bissett’s single-sitting staging of the three instalments of his Moira Monologues is how much they reflect the times. The laughs come as Moira tells her best friend Babs about her run-in with a rottweiler in The Moira Monologues (2009), about necking a bottle of vodka on the train to Inverness in More Moira Monologues (2017) and about fighting over the loo roll in Moira in Lockdown (2022). But as she reaches her 50th birthday, the exuberant cleaner-cum-cannabis-farmer is an accidental mouthpiece for a nation in flux. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).