If you’re an actor, a theatre can look like a closed shop. There are too few parts going to too few performers. Getting a break can seem impossible. Those who belong to an underrepresented group can feel more excluded still.
Andy Arnold, artistic director of Glasgow’s Tron Theatre, is trying to change that. His production of The Tempest, scheduled to coincide with the COP26 summit, has been shaped by three criteria that go some way to redressing the balance. [READ MORE]