The Scotsman 3 May 2024

Fame is fickle. Today, you can see the face of Nan Shepherd, set against a backdrop of Highland wilderness, on your Royal Bank of Scotland £5 notes. She and scientist Mary Somerville were the first women the bank had ever featured. During lockdown, The Living Mountain, her 80-page account of walking in the Cairngorms, attracted a new generation of readers. When so many of us felt a longing for the great outdoors, Shepherd’s poetic vision became a form of escape.

Yet in her lifetime, whether by accident or design, the author went from popularity to obscurity. Born in East Peterculter near Aberdeen in 1893, she was one of the first female graduates of the University of Aberdeen before becoming a lecturer in English at Aberdeen Training Centre for Teachers (later Aberdeen College of Education). [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).