The Guardian 5 February 2024

You can rely on Edinburgh’s Manipulate festival to give you something you have never seen before. This year, it comes in the form of Simple Machines (★★★★☆), an opening weekend treat by Belgian choreographer Ugo Dehaes. His shtick is that it has become too expensive to employ dancers in his company Kwaad Bloed so he has followed the lead of big business and done away with them.

Just as Amazon embraces automation and supermarkets use self-service tills to make us do their work, so Dehaes has created a robot corps de ballet and got his audiences to develop their moves. We sit around a table to watch these dancing robots, some like snakes, others crabs, with rubbery flesh or mounds of black hair. [READ MORE]

By Mark Fisher

MARK FISHER is a freelance theatre critic and feature writer based in Edinburgh and has written about theatre in Scotland since the late-1980s. He is a theatre critic for The Guardian, a former editor of The List magazine and a frequent contributor to the Scotsman and other publications. He is the co-editor of the play anthology Made in Scotland (1995), and the author of The Edinburgh Fringe Survival Guide (2012) and How to Write About Theatre (2015) – all Bloomsbury Methuen Drama. He is also the editor of The XTC Bumper Book of Fun for Boys and Girls and What Do You Call That Noise? An XTC Discovery Book (both Mark Fisher Ltd).