Twelfth Night
The Guardian 12 July 2021 You can see why director Gordon Barr chose to set Twelfth Night in the wings of a theatre. Heather Grace Currie’s design – all ropes,…
The home of Scottish theatre
The Guardian 12 July 2021 You can see why director Gordon Barr chose to set Twelfth Night in the wings of a theatre. Heather Grace Currie’s design – all ropes,…
The Guardian 10 July 2021 The National Trust should see about hiring Colin McCredie’s Mr Toad. When he gets his comeuppance in this jolly production, the owner of Toad Hall…
The Guardian 9 July 2021 “I am alone,” says the narrator of Dostoevsky’s 1848 short story, a man who has had so little interaction with the world that he has…
The Guardian 14 June 2021 Pitlochry Festival theatre already has a claim to be the most beautifully situated in the country. Now, with the advent of an outdoor amphitheatre deep…
The Guardian 31 May 2021 There’s a video for delegates to the Edinburgh international children’s festival showing a primary-school class responding to Katy Wilson’s film Mixed Up (5 and 6…
The Guardian 26 May 2021 Body-swap comedies are big in the cinema. From the mother-daughter switch of Freaky Friday to the boy who finds himself an adult in Big, Hollywood…
The Guardian 24 May 2021 The animating force behind The Adventures of Pinocchio is the desire of the wooden puppet to become a real boy. Every scrape and digression is…
The Guardian 23 April 2021 Glasgow’s Merchant City is a construct. Before the wave of post-1980s regeneration, nobody knew the city centre district by that name. With its new identity,…
The Guardian 14 April 2021 Like the virus itself, online theatre has come in waves. For much of its 75-minute duration, Stewart Melton’s play seems to belong to the first…
The Guardian, 2 April 2021 What will audiences want after the pandemic? Will it be daft comedies by Noël Coward? Or will they have an appetite for Pulitzer-winning cancer dramas…