It’s the second half of Neil Simon’s comedy when things kick off. After the sweet-tempered wisecracks before the interval, the mood has turned sour. Corie and Paul are newlyweds and their six-day marriage is faltering. In Elizabeth Newman’s production, the two of them circle each other in a ferocious dance across Adrian Rees’s set (all 1960s pastel pink, yellow and turquoise with a backdrop of West Side Story fire escapes). [READ MORE]