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HOW TO WRITE ABOUT THEATRE
by Mark Fisher

"A perfect introduction to what could be a lifetime of pleasure"
British Theatre Guide

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With a foreword by Chris Jones, Chicago Tribune

 

@writeabouttheat

www.howtowriteabouttheatre.com

 

StillGameLive2170

5 February 2017 The Guardian

Still Game: Live 2

By Greg Hemphill and Ford Kiernan. An SEC Hyrdo review.

WHEN does a sitcom get too big for its boots? It’s a worry that must have crossed the minds of Ford Kiernan and Greg Hemphill on returning to the hangar-like Hydro where, in 2014, Still Game played to 210,000 people in 21 nights There’s something surreal about seeing the TV escapades of Jack and Victor in a venue where bouncers guard the stage and the audience needs two giant screens just to see what’s happening. Undaunted, they’ve come back with a show of even greater ambition – and just as many laughs.

11 December 2016 The Guardian

Black Beauty

By Shona Reppe, Andy Cannon and Andy Manley. A Traverse Theatre review.

THEY should have called it Horse Play. This collaboration between Shona Reppe, Andy Manley and Andy Cannon is not so much an adaptation of the Anna Sewell novel as a free-associating theatrical gymkhana. A triumph of object-theatre stagecraft, it takes a rosette-worthy canter through a stableful of horse-themed gags, while paying touching testament to the value of resilience. For a while, it looks as if it’ll have nothing to do with Black Beauty at all. Manley and Cannon play the Famous McCuddy Brothers, equestrian illusionists stranded on the outskirts of Edinburgh for want of employment in the pantomime-horse business. Not until they resort to selling their belongings do they start reading their late mother’s copy of the novel, enacting its most memorable adventures as they go.

 

 

 

 

 

 

 

 

 

 

 

 

 

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by Mark Fisher

Out now

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"Every single page of this book is enhanced by Mark Fisher’s lifelong enthusiasm for, and commitment to, the Edinburgh Festival Fringe – the greatest arts festival in the world."

Kath M Mainland

Chief executive, Edinburgh Festival Fringe Society

 

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2003-present

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