theatreSCOTLAND

11 December 2009 The Guardian

Zorro

By Davey Anderson. A Visible Fictions/Traverse Theatre review.

ZORRO, it often seems, is simply not there. He's just a swish of a sword and a swoop of a cape, a blur of movement perplexing his enemies and thrilling his audience. At other times, he is a cardboard cut-out, perching on a rooftop that has suddenly appeared from nowhere on Robin Peoples's pop-up book of a set (which gets its own spontaneous burst of applause). At other times still, he is no superhero at all, but plain old stable boy Don Diego de la Vega, played by Sandy Grierson with a humility that contrasts with the swagger he brings to the masked swordsman.

27 October 2009 Northings

The Curse of the Demeter

By Robert Forrest. A Visible Fictions review.

TO create an atmosphere of terror on the stage takes some doing. To do it with only two actors is a greater accomplishment still. But that's what Visible Fictions manages in this edge-of-your-seat staging of Robert Forrest's teen-friendly play inspired by the section of Bram Stoker's Dracula in which the Transylvanian vampire stows away on the good ship Demeter and stalks the crew on their voyage to England.

Jon-Paul Rowden in Peter Pan by Visible Fictions

4 March 2009 The Guardian

Peter Pan

By JM Barrie. Visible Fictions review.

JM BARRIE'S 1904 classic novel expresses troubling psychological ideas through the lightest of means. But, ironically, the story of a boy who can fly is frequently grounded by Edwardian whimsy and heavy-handed staging. For 21st century tastes, the middle-class children can seem cloying rather than adventurous, while the effort of recreating a Bloomsbury town house, a pirate ship and the land of the Lost Boys can weigh a production down.

20 February 2007 The Guardian

The Rise and Fall of Little Voice

By Jim Cartwright. Visible Fictions review.

AT the heart of Jim Cartwright's play is an implicitly theatrical idea. The young girl we've seen cowering, timid and barely audible in the first half, flourishes in the second half with an extended musical medley that shows her to have astonishing gifts of singing and mimicry.

October 2006 Hi-Arts

Jason and the Argonauts

By Robert Forrest. Visible Fictions review.

WHAT child wouldn't like to get their hands on Robin Peoples' set for ‘Jason and the Argonauts’? At first sight it's just a wooden cart with two large wheels either side – somewhere for actors Simon Donaldson and Tim Settle to sit as they bide time waiting for the action to begin. But as Robert Forrest's highly enjoyable play swings into life, so the set comes into its own.

Helen McAlpine in Prince Unleashed Pic: Drew Farrell

March 2006 Hi-Arts

Prince Unleashed

By Robert Forrest. Visible Fictions review.

YOUNG people's company Visible Fictions seems intent on giving its audience a hard time. Last year, it toured a show called Big Baby which painted a bleak view of capitalist excess taken to its most destructive and depressing conclusion. Now it's on the road with Robert Forrest's ‘Prince Unleashed’ about a young girl going through the psychological trauma of losing her parents and her beloved dog, Prince, in a car crash, and finding herself stuck with her unlovely relatives. As my rather shaken nine-year-old companion said at the end, hers is the sort of story that would "send teenagers into depression".

Visible Fictions in Big Baby

October 2005 Hi-Arts

Big Baby

By Brendan Murray. Visible Fictions review.

YOU'D never want to argue that young people should be denied the range of emotions that adult audiences take for granted, but Brendan Murray's play for teenagers is laden with a level of cynicism and despair that would be hard for any age to stomach.It starts off bright and cheery enough, in Douglas Irvine's entertaining production for Visible Fictions, staged on a set by Caroline Grebbell that's half music hall, half pop-up theatre. We're in the mid-19th century where two ordinary country folk, Janet and John (Claire Knight and PJ Henry), fall in love and agree to marry. All rosy cheeks and fruity poetry, the two await the arrival of a baby, finding themselves full of hope and big ideas for the future.

October 2004 Hi-Arts

Into the Dark

By Donald Mcleary. Visible Fictions review.

IT used to be as a teenager that you could never find books that were aimed at you. Too old for baby books, not ready for adult literature, those in their teens were neglected. That’s all changed now, with a whole genre of teenage fiction, but things haven’t moved so fast in the theatre. There are plenty of companies catering to the under-10s, but teenagers are unlikely to see anything unless it comes with a teachers pack, a post-show discussion and a clear educational message.

theatreSCOTLAND © Mark Fisher 2009