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The scene is set for a debate about classroom control and multiculturalism: should tolerance of beliefs extend to summoning devils before playtime?</description>					<link>http://www.theatrescotland.com/</link>					<guid isPermaLink="false">752919732248</guid>					<pubDate>Thu, 11 Feb 2010 14:04:48 +0000</pubDate>		</item>			<item>			<title>Pobby and Dingan, theatre review</title>					<description>IT TAKES a while to warm to this adaptation of Ben Rice's novel. For one thing, there doesn't seem to be much at stake: just an everyday family hoping to get lucky in Lighting Ridge, an opal mining town in the Australian outback. For another, the production by Catherine Wheels takes a straight-forward approach that rules out the kind of imaginative leaps that children's theatre does best. The initial impression of Gill Robertson's staging is of a routine domestic drama. </description>					<link>http://www.theatrescotland.com/</link>					<guid isPermaLink="false">11229767173</guid>					<pubDate>Wed, 03 Mar 2010 16:36:18 +0000</pubDate>		</item>			<item>			<title>Equus theatr review</title>					<description>8 March 2010 The GuardianEquusBy Peter Shaffer. A Dundee Rep reviewTHE director who brought Beauty and the Beast and The Elephant Man to Dundee continues her examination of the animalistic outsider with Peter Shaffer's study of the violent power of sublimated sexual desire. In this stripped-back Equus, Jemima Levick puts the story of Alan Strang and his devotional love of horses under laboratory conditions to reveal a tense drama of personal discovery. Although the argument about the uses of psychiatry seems dated, and the boy's motivation not entirely convincing, the play still drives home with the immediacy of a whodunit.</description>					<link>http://www.theatrescotland.com/</link>					<guid isPermaLink="false">902850205340</guid>					<pubDate>Mon, 08 Mar 2010 08:14:19 +0000</pubDate>		</item>			<item>			<title>My Name is Rachel Corrie theatre review</title>					<description>This week, the parents of Rachel Corrie bring a civil suit against the Israeli defence ministry over the cause of their daughter's death. The 23-year-old campaigner was crushed by a bulldozer in Rafah as she stood in peaceful defence of Palestinian homes in 2003. Her parents hope to put on the public record that the killing was intentional.</description>					<link>http://www.theatrescotland.com/</link>					<guid isPermaLink="false">638089978355</guid>					<pubDate>Wed, 10 Mar 2010 17:20:29 +0000</pubDate>		</item>			<item>			<title>The Miracle Man theatre review</title>					<description>Another month, another Douglas Maxwell classroom play. In the excellent Promises Promises (still on tour), he gave us a teacher at the end of her career who snaps under the pressure of long-buried childhood repressions. In The Miracle Man for the National Theatre of Scotland, he gives us Ossian MacDonald, a thirtysomething PE teacher who is living in the shadow of his father. That man, a famous poet, is dying of cancer, giving his son the possibility of escaping his insecurity complex and reaching a delayed maturity.</description>					<link>http://www.theatrescotland.com/</link>					<guid isPermaLink="false">764730657700</guid>					<pubDate>Tue, 16 Mar 2010 09:49:45 +0000</pubDate>		</item>			<item>			<title>Empty and Mr Write theatre review</title>					<description>17 March 2010 The GuardianEmpty/Mr WriteBy Cathy Forde/Rob Drummond. A National Theatre of Scotland review.IMAGINE being the only sober guest at a party of teenagers. Imagine you don't know any of them. Imagine they get drunker still. The evening would be deeply tedious. About as tedious as Cathy Forde's Empty, in which a 16-year-old's attempt to get a snog spirals into an orgy of sex, drugs and flooded bathrooms.</description>					<link>http://www.theatrescotland.com/</link>					<guid isPermaLink="false">158798010162</guid>					<pubDate>Wed, 17 Mar 2010 08:51:39 +0000</pubDate>		</item>			<item>			<title>Edinburgh international festival looks to the New World</title>					<description>The programme for this August's Edinburgh International Festival is out and, of all Jonathan Mills's lineups to date, it is the one that shifts our centre of gravity the farthest. The theme running throughout the three-week festival is to do with the New World, drawing attention to those cultures that naturally look to the Pacific rather than the Atlantic, whether that be a dance company from Auckland or orchestras specialising in the music of 15th-century Bolivia and Mexico. </description>					<link>http://www.theatrescotland.com/</link>					<guid isPermaLink="false">380742113443</guid>					<pubDate>Thu, 18 Mar 2010 09:22:40 +0000</pubDate>		</item>			<item>			<title>Edinburgh Intl. Fest looks to Americas</title>					<description>The lineup of the 2010 Edinburgh Intl. Festival focuses on the Americas and the New World, with helmer Jonathan Mills shifting the character of the traditionally Euro-centric event to include more theater, dance and music from countries such as Chile, Brazil and New Zealand.</description>					<link>http://www.theatrescotland.com/</link>					<guid isPermaLink="false">326723829735</guid>					<pubDate>Thu, 18 Mar 2010 09:25:10 +0000</pubDate>		</item>			<item>			<title>Battery Farm theatre review</title>					<description>It is the democrat's dilemma: what if, having given someone a voice, you don't like what they have to say? That is the situation faced by Kate in Gregory Burke's apocalyptic comedy, a lunchtime collaboration between the Traverse theatre and the Play, a Pie and a Pint series. Kate is an undercover activist who has infiltrated a futuristic "contentment facility" in which old people are stored in life-support units before being fattened for human consumption. While freeing the occupant of row NN, pod 777, Kate is alarmed to discover he was responsible for the death of the environment.</description>					<link>http://www.theatrescotland.com/</link>					<guid isPermaLink="false">1219724795883</guid>					<pubDate>Thu, 18 Mar 2010 09:34:47 +0000</pubDate>		</item>			<item>			<title>Peter Brook interview</title>					<description>TO GET to Peter Brook's office, you come in off a grimy Parisian street at the back of the Gare du Nord, head along a nondescript corridor, cut across the stage of the Bouffes du Nord – half faded glamour, half rough-and-ready empty space – before climbing a staircase that is open to the crisp December air, as if you were approaching a fairytale turret.</description>					<link>http://www.theatrescotland.com/</link>					<guid isPermaLink="false">740951592853</guid>					<pubDate>Sun, 21 Mar 2010 11:20:39 +0000</pubDate>		</item>	</channel></rss>