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HOW TO WRITE ABOUT THEATRE
by Mark Fisher

"A perfect introduction to what could be a lifetime of pleasure"
British Theatre Guide

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With a foreword by Chris Jones, Chicago Tribune

 

@writeabouttheat

www.howtowriteabouttheatre.com

 

27 Jun 2017 The Scotsman

Fringe interview: playwright Lara Foot on South Africa’s fringe festivals

Edinburgh Festival Fringe preview

IRVINE Welsh is doing it. Zinnie Harris is doing it. So too is Lara Foot. They are an elite group of writers who have not just one but three plays on stage in Edinburgh this August. “It’s a huge privilege for me to be in that situation,” says Foot, a South African playwright, director and producer. And it wouldn’t have happened, she says, were it not for another festival. “I was the featured artist at the Grahamstown arts festival last year. The criteria for that was that I would present one new work and two former works. Because they were put on at the same time, it means they’re all ready to tour.”

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23 Jun 2017 The Guardian

Room to roam: how Scotland's vagabond national theatre broke free

A National Theatre of Scotland blog

FOR two or three centuries, national theatres have been based in grand culture palaces, with their colonnades, proscenium arches and chandeliers. For little more than a decade, the National Theatre of Scotland has been a theatre “without walls”. If you want to see an NTS show, you have to find it first. The idea takes a little getting used to, but the absence of a building is fundamental to how the organisation operates. Far from being a limitation, it can be artistically liberating. This company is shape-shifting. It can be what it wants.

31 Oct 2016 The Guardian

Back to the rivers of blood: Enoch Powell returns to a divided Britain

Preview of What Shadows by Chris Hannan. A Royal Lyceum theatre preview.

A NATION divided. Two factions at war over foreigners. One side claims to tell it like it is. The other cries racism. Neither can agree. Brexit Britain? Well, yes, but also Birmingham in April 1968.That was when the Conservative MP for Wolverhampton South West forced immigration on to the political agenda. His name was Enoch Powell and what he called his Birmingham speech would prove even more incendiary than he’d hoped. Reacting to Labour’s Race Relations Act, Powell argued that allowing mass immigration from the Commonwealth was “literally mad” and prophesied doom in the language of the Roman poet Virgil: “Like the Roman, I seem to see the River Tiber foaming with much blood.”

 

 

 

 

 

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by Mark Fisher

Out now

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"Every single page of this book is enhanced by Mark Fisher’s lifelong enthusiasm for, and commitment to, the Edinburgh Festival Fringe – the greatest arts festival in the world."

Kath M Mainland

Chief executive, Edinburgh Festival Fringe Society

 

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